Philosophy Machines is the research practice of Despina Papadopoulos and Kevin Walker. We think through making – objects and systems that act as prompts or provocations for considering and communicating concepts, like artificiality, intelligence, and love.
investigates how new technologies become part of social, cultural, and institutional life.
For more than three decades, she has pursued this question through experimental research, industrial innovation, artistic practice, and higher education. From pioneering wearable computing in the 1990s to contemporary work on AI as material infrastructure, her practice brings together invention, critical inquiry, and systems thinking to understand how intelligence emerges through relations between bodies, materials, technologies, and institutions.
A pioneer in wearable technologies since 1995 and former fellow at Paul Allen's Interval Research Lab, she has led innovation projects at NCR's Knowledge Lab and IBM's Innovation Center, and holds multiple patents in wearable and tangible interface design. She has developed strategic innovation systems for Ralph Lauren, DuPont, UNESCO, Christie's, Bill & Melinda Gates Foundation, and Beiersdorf/Nivea—translating complex technological futures into actionable strategies.
She holds a Master's in Philosophy from KU Leuven, an MPS from NYU's Interactive Telecommunications Program, and a practice-led PhD from the Royal College of Art exploring AI as material infrastructure. She is co-author, with Caterina Moruzzi, of Material Encounters: Creativity in the Times of AI (Oxford University Press, forthcoming).
Find her work and CV here.
is an experienced leader in arts and technology, having led an AI research group, an award-winning software development team, and two technology-focused graduate programs in top arts universities. He has supervised and mentored more than 300 Masters and PhD students in the arts, and his own work in sound, video and installations has been exhibited and commissioned internationally
He led the research group 'AI and Algorithmic Cultures' at Coventry University, launched and led the Information Experience Design programme at the Royal College of Art in London. He has created award-winning web sites and installations, and worked with organisations including Centre Pompidou, CNBC, Samsung, Serpentine. His work has been deployed and exhibited internationally, he is a frequent invited speaker, and he has published and taught in art and design. His books include AI and Algorithmic Aesthetics (forthcoming) and Interior Futures (2019).
Find his work and CV here.
"Technology at present is covert philosophy; the point is to make it overtly philosophical." — Philip Agre, 1997
